#Using absynth vst as an effect mod
#Using absynth vst as an effect manual
#Using absynth vst as an effect full
#Using absynth vst as an effect pro
#Using absynth vst as an effect software

Future versions of Absynth will allow users to create libraries of waveforms for use as both oscillator and LFO/modulation sources. You can create your own waveforms here or you can import and use the first 1,024 samples from any.

#Using absynth vst as an effect mod

The Waveform Editor page is for editing factory-preset waves or redrawing any waveform used for Main oscillators, Mod oscillators, LFOs or wave-shaping modulation. Oscillator module modes include single (only Main is active), double (both oscillators mix), FM (Mod modulates Main) and Ring/Amplitude, where the frequencies of both oscillators are algebraically summed together to produce other tones. Waves used by the Main and Mod oscillators, as well as sources for any modulator, are selected from a list of 41 waveforms.

These are not sampled waveforms or actual oscillators but single-cycle wavetables. Each module's settings are easily changed by mouse or by directly typing in values.Įach of the oscillator modules has two oscillators, Main and Mod. The internal module routing for each of the three channels is consistent: Oscillator module connects to a filter module, which flows to a modulator module. You can turn modules on or off within channels, or surgically remove and re-route the connective arteries between them.

#Using absynth vst as an effect manual

The Patch window is where the 12 DSP modules that make up the synth's sound are displayed and interconnected by organic-looking glowing tissue or, as the well-written manual (translated into six languages) calls it, 'plumbing.' This other-worldly bionic interface schematically shows the signal flow between modules arranged into three independent channels. Whether you use Absynth as a VST instrument or as a stand-alone, every sound begins with the Main window, where you'll find a virtual synthesizer with mousable keyboard and MIDI controller sliders, a bank of 128 presets with 16 listed and available at a glance, buttons to select any of six editing windows (which are repeated in an always present and dragable navigation toolbar), buttons to select MIDI channels, store and recall preset buttons, and a Reset/Pause button to stop sound and re-initialize internal DSP parameters when things get wacky. In stand-alone mode, CPU loading, an issue with all VST instruments, is not much of a concern.

#Using absynth vst as an effect full

As a stand-alone, only one Absynth will run at a time, but in the Record window you can stereo record, overdub and mix additional layers of synth sounds directly to the available RAM in your computer (with full undo).

#Using absynth vst as an effect pro

Absynth, as a stand-alone, uses Digidesign's DirectConnect to stream audio into Pro Tools and other Digi DAE hosts or, for working with Digital Performer, MAS and FreeMIDI are supported. I used a G4 500MHz with 640 MB of RAM (Absynth is currently Mac-only) and had no problems running Pro Tools in the background for the stand-alone version and Emagic's Logic 4.7.3 for VST.Īs a VST plug-in, Absynth does not rely on ASIO, MIDI or OMS therefore, timing precision and resolution are better. Maximum polyphony is 64 and is only really limited by your CPU. By using hundreds of oscillators, you can build huge rhythm ensembles and evolving ambient textures. Absynth comes with a huge collection of great patches you can copy and modify to taste. Six oscillators, four filters, three ring modulators, a waveshaper section for distorting waveforms, and a delay effect section with three delay processes are available for each voice. Originally developed by Brian Clevinger and further developed by N.I., Absynth is efficiently written and runs as a stand-alone, or is multitimbral in VST 2.0-host programs with up to eight instances. A major feature of Absynth is that you'll hear all changes in real time, as you play a MIDI keyboard, without clicks or glitches. Absynth is designed for serious sound design, but anyone can start creating and building sound structures using the excellent and intuitive interface. Synthesizer sound-generation techniques, such as subtractive, FM, AM, ring modulation and waveshaping, are easily combined in creative ways with Absynth's flexible patching system and clever architectural design.

Native Instruments' Absynth exploits the vast potential of computer-based, virtually modeled analog synthesis.

#Using absynth vst as an effect software

Native Instruments' Absynth Virtual Synthesizerīarry's Free Downloadable Equipment Front Panel Recall/Manualsīarry's Mix Magazine Equipment And Software Reviewsīarry's Massive Discography And Engineering Careerīarry's Music Connection Magazine Reviews